Wednesday, 23 July 2014

Beth - Kiss

"Beth" is a ballad by Kiss, originally released on their 1976 album, Destroyer. To date, it is their highest-charting single in the US, reaching #7 on Billboard's Hot 100 chart. It is one of only two gold selling singles for the band (the other being 1979's "I Was Made for Lovin' You"), and their first of two Top Ten singles (along with 1990's "Forever", #8) in the US. Beth was named #3 in VH1's 25 Greatest Power Ballads.Kiss' drummer Peter Criss sings the song, which was co-written by Criss and guitarist Stan Penridge. The song was written before Criss had joined the band, while he and Penridge were members of Chelsea. A bootleg exists of the song from 1971, but the song was sung "Beck, what can I do?" "Beck" was the nickname of fellow Chelsea member Mike Brand's wife, Becky, who would call often during practices to ask Mike when he was coming home. Years later, while in Kiss, both Bob Ezrin and Gene Simmons are incorrectly credited for changing the song's title to "Beth," presumably to be more recognisable as a female name.
The song was a last-minute addition to the Destroyer album. According to Bill Aucoin, the manager of Kiss at that time, Simmons and Paul Stanley did not want "Beth" on the album because it was not a typical Kiss song. Aucoin insisted on keeping the song on the record.

When released as a single, however, "Beth" was initially the B-side of "Detroit Rock City". Some of the initial credit for the flip-hit goes to Rosalie Trombley, at the time the music director at "The Big 8" CKLW in Windsor, Ontario. Trombley's daughter had a copy of the 45 and was hooked on "Beth", and began nagging her mother about it. "Beth" wasn't being promoted as the "A" side, but Trombley added it to CKLW's playlist. After "Beth" became a smash, Kiss presented Trombley's daughter with a gold record. Kiss and Casablanca Records reissued "Beth" as an A-side with "Detroit Rock City" as the B-side, and it was far more successful.The single went gold in the US (the first Kiss single to do so) on January 5, 1977 and in Canada on December 1, 1976. In 1977, Kiss received a People's Choice Award for "Beth", one of the few industry awards the band ever won. "Beth" is also credited as invigorating sluggish sales of the Destroyer album, which many fans initially saw as a misstep. It is also the only Kiss song that features no instrumental performances by any member of the band. Criss is backed by a piano and a string orchestra, a stark departure from the hard rock-oriented band.

The song was written by Criss and Penridge, both of whom were in Chelsea. A demo tape of the song, however, was recorded later, during Criss' tenure in another band, Lips, immediately before he joined Kiss. In an article for Rolling Stone, Paul Stanley questioned Criss' role in co-writing the song, saying, "Peter had nothing to do with it." During the recording sessions for the song, Criss was the only Kiss member in the studio. Live, "Beth" was performed by Criss alone on stage backed by a tape of the instrumental track. The acoustic version featured on Kiss Unplugged is the only recording with members of Kiss solely backing up Criss. The version of "Beth" featured on the group's 2003 Kiss Symphony: Alive IV DVD and subsequent album (less Ace Frehley) would be the only time the song was performed live with an ensemble. In 2010, the song was performed live for the first time with Eric Singer on acoustic guitars during their Sonic Boom Over Europe Tour and again on their The Hottest Show on Earth Tour in 2011.It has since then been re-shelved in live concerts, but the band still continues to perform the song regularly at Meet and Greets.






(INTRO)
C - Dm - G (x2)

(VERSE 1)
(C)Beth I hear you (Dm)callin’ But I (Em)can’t come home right (Am)now (G)

(F)Me and the boys are (G)playin’ and we (C)just can’t find the (Esus4)sound (E)

(CHORUS)
(Am)Just a few more (G)hours and I’ll (F)be right home to (Em)you

I (D7)think I hear them (F)callin’ (G) Oh, (Am)Beth what can I do? (Am - G)

(F)Beth what (G)can I (Am)do?

(VERSE 2)
(C)You say you feel so (Dm)empty that our (Em)house just ain’t a (Am)home (G)

(F)I’m always somewhere (G)else and (C)you’re always there a-(Esus4)lone (E)

(CHORUS)
(Am)Just a few more (G)hours and I’ll (F)be right home to (Em)you

(D7)think I hear them (F)callin’ (G) Oh, (Am)Beth what can I do? (Am - G)

(F)Beth what (G)can I (Am)do?

(INSTRUMENTAL: VERSE CHORDS)

(OUTRO)
(C)Beth I know you’re (Dm)lonely and I (Em)hope you’ll be al-(Am)right (G)

‘Cause (F)me and the boys will be (G)playin’  all (C)night (Dm - G - C)



Wednesday, 2 July 2014

P. S. I Love You - Bobby Vinton (Mad Men Season One)

"P.S. I Love You" is a popular song. The music was written by Gordon Jenkins, the lyrics by Johnny Mercer. The song was published in 1934. The original hit version in the 1930s was recorded by Rudy VallĂ©e. It was revived in the 1950s by The Hilltoppers and in the 1960s by The Vogues, and again in 1984 by country music singer Tom T. Hall. A number of other versions have also been recorded, as well as one by Bobby Vinton which appeared in Mad Men season 1 episode 3, "Marriage of Figaro."




C                          Em7      A7
Dear, I thought I'd drop a line;

              Dm7  G7                Em7-5    A7
The weather's cool,    the folks are fine;

D7                       G7/6
I'm in bed each night by nine --

C D7    Dm7  G7
P.S. I love you.


C                      Em7    A7
Yesterday we had some rain,

           Dm7  G7             Em7-5   A7
But all in all,    I can't complain.

D7                   G7/6
Was it dusty on the train?

C Bb9    C9   C
P. S. I love you.


Bridge:

  C7          Gm7           Gm7
Write to the Browns just as soon as you're able;

FM7          F6
They came around to call.

D7         Am7          D7
I burned a hole in the dining room table,

    Bb7    A7+5   D7-5        G7sus4   G7
And let me see--I guess that's all.



C                      Em7   A7
Nothing else for me to say,

            Dm7     G7             Em7-5   A7
And so I'll close . . . but by the way,

D7                   G6       F#7    
Ev'rybody's thinking of you--

C Fm  Fdim  C9   C 
P.S.   I   love you.


Band of Gold - Don Cherry (Mad Men Season One)

"Band of Gold" is a popular song, generally considered a Traditional Pop standard, with music by Jack Taylor and lyrics by Bob Musel. It was published in 1955. The biggest hit version was recorded by Don Cherry in 1955. This version reached the top five on the pop chart in the United States. Another recording was done in 1955 by singer Kit Carson (born Liza Morrow) that reached number 17 on the Top 100, and there was also a British cover by Petula Clark. Cherry re-recorded the song for his album, There Goes My Everything, in 1968. Singer Mel Carter recorded the song in two different versions, once in 1965 and again in 1966. The latter version peaked at number 32 on the Billboard Hot 100 chart and went to number one on the Easy Listening chart, where it remained for two weeks in May 1966.

The Norwegian-American singer Mary Anderson with Carsten Klouman's orchestra recorded it in Oslo on March 23, 1956, and on May 22, 1956 (vocal). The song was released on the 78 rpm record HMV AL 6027. 

Don Cherry's recording of "Band of Gold" was the first song played after the opening credits in the first episode of the first season of AMC's Emmy-winning television series Mad Men, and also appears in Mad Men's sixth season finale.
Cherry's recording is also among the pop and rock hits sampled in the early break-in comedy rock hit "The Flying Saucer (Parts 1 & 2)" by Buchanan & Goodman in 1956.



I’ve never wanted (F)wealth untold, 

My (C7)life has one (F)design

A (C7)simple little (F)band of gold, 

To (C7)prove that you are (F)mine (Bb - F)


Don’t (C)want the world to (F) have and hold, 

For (C7)fame is not my (F)line

Just (C7)want a little (F)band of gold 

To (C7)prove that you are (F)mine (Bb - F)


Some sail (Gm)away to A-(C7)ra-(F)by 

And other (Gm)lands of myst-(C7)er-(F)y

But all the (Gm)wonders that they (F)see (Dm) 

Will never (Gm)tempt me (C7)


Their memories will (F)soon grow cold

But (C7)’til the end of (F)time

There’ll (C7)be a little (F)band of gold

To (C7)prove that you are (F)mine (Bb - F)


Don’t (C)want the world to (F) have and hold, 

For (C7)fame is not my (F)line

Just (C7)want a little (F)band of gold 

To (C7)prove that you are (F)mine (Bb - F)


Bye-Bye Birdie - Ann-Margret (Mad Men Season 3, Episode 2)

Bye Bye Birdie is a 1963 musical comedy film from Columbia Pictures. It is a film adaptation of the stage production of the same name. The screenplay was written by Michael Stewart and Irving Brecher, with music by Charles Strouse and lyrics by Lee Adams. Directed by George Sidney, the film version starred Dick Van Dyke, reprising his Broadway role as Albert Peterson, along with Maureen Stapleton as Mae Peterson, Janet Leigh as Rosie DeLeon, Paul Lynde reprising his Broadway role as Harry MacAfee, Bobby Rydell as Hugo Peabody, and Ann-Margret as Kim MacAfee.

The story was inspired by the phenomenon of popular singer Elvis Presley and his being drafted into the United States Army in 1957. Jesse Pearson plays the role of teen idol Conrad Birdie, whose character name is a word play on another pop singer of the era, Conway Twitty. Presley himself was the first choice for the role of Birdie, but his manager, Colonel Tom Parker, rejected the idea as he did not want Presley in any roles that were parodies of himself. Ed Sullivan appears as himself, host of the popular, long-running CBS TV variety show.

Several significant changes were made in the plot and character relationships in the film from the stage version. The film was rewritten to showcase the talents of rising star Ann-Margret, adding the title song for her and dropping songs by other characters.
In Mad Men (Season 3, Episode 2), the opening sequence of Bye Bye Birdie is shown (twice), and later the ad agency's Peggy Olsen sings the tune to herself in front of a mirror in an attempt to emulate Ann-Margret's appeal as somebody who can "be 25 and act 14". Later, in Episode 4, the ad man Salvatore Romano directs a knock-off parody of the sequence for a commercial for Pepsi's new diet drink, Patio.




(C)Bye-bye, (F)Birdie. (G7)I’m gonna (C)miss you so.

Bye-bye, (A)Birdie. (G7)Why'd you have to (C)go.

(C)No more (F)sunshine. (G7)It’s followed (C)you away.

I'll cry, (A)Birdie, (G7)’til you're home to (C)stay.


(F)I’ll miss the way you smile, (C)As though it's just for me.

(D7)And each and ev'ry night I’ll (G)write you faithful-(G7)ly.


(C)Bye-bye, (F)Birdie. (G7)It's awful (C)hard to bear.

Bye-bye, (A)Birdie. (G7)Guess I'll always (C)care.

(G7)Guess I'll always (C)care.

(G7)Guess I'll always (C)care.



(Reprise)

(C)Bye Bye (F)Birdie, (G)The army’s got (C)you now

I’ll try (A)Birdie (G7)to forget some-(C)how

(C)No more (F)sighing (G)each time you (C)move those lips

No more (A)crying (G7)when you twitch those (C)hips


(F)You’ll swivel and you’ll sway, (C)you’re super duper class

(D7)There’s nothing left to say but (G)Conrad you’re a (G7)gas!


(C)Bye-Bye (F)Birdie, (G)Ta-ta oh (C)sweetie pie

Bye-Bye (A)Birdie (G7)time for me to (C)fly

(G7)Time for me to (C)fly—

(G7)Time to say good-(C)bye


(SPOKEN: Bye now!)